Category Archives: Ebook Bargains UK

James Patterson Book Shots, Sachet Marketing and the Perils of the Look Inside Feature.

DeadHeat

I follow James Patterson with interest – not so much for the reading as for the presentation and innovation.

Patterson didn’t get to be the world’s biggest-selling author – bigger than Rowling –by hiding his books away from public view and sticking to safe bet formats.

His latest Book Shots project – titles of approx. 150 pages written for the new world of mobile consumers – is designed to chase reluctant readers for whom a full length title of 300 or 500 pages is a daunting prospect.

Stories at the speed of life, as they are cleverly branded.

But he takes that one step further still with his Dead Heat Book Shot, which with perfect timing is set in the Rio 2016 Olympics and released to coincide. And this is a 150 page standard Book Shot delivered in four parts, of just 35-40 pages each, and in the UK retailing at just 49p (a full Book Shot retails at £1.99 GBP).

Whatever we may think of the actual writing, we have to admire the packaging, marketing and timing.

Yes, we can all find things to complain about in the storylines, but Patterson isn’t pretending to be Shakespeare.

Patterson is writing for the twenty-first century mass-consumer that wants reading entertainment they can slot between the rest of their busy lives. Entertainment that can compete with binge-video streaming, music and games, or can be read while multi-tasking in the supermarket queue or waiting for the kids to come out of school.

Patterson – far more so than Rowling – is at the top of his game. His main focus is crime thrillers and mysteries – my preferred genres – so I’ll be buying all the Book Shots over the next few months and reading them not for entertainment (I like Patterson’s tabloid style, but not that much!) but to analyse as a fellow author and work out what it is that keeps Patterson so far ahead of his nearest competitors, year in, year out.

Serialising his short books like this is one great way of reaching new readers, adding new discovery points and standing out from the crowd. Just a shame that the Look Inside feature on Amazon stops before the actual story starts.

Serialising our self-published works came in for some bad press thanks to some indies trying to scam KU by chopping up larger books to gain the pot payout, but in principle serialising our work – not just new titles but existing works – is a great way of reaching new readers.

Why?

• we can keep down our up-front risk cost to the reader down – 49p is less of a risk than £1.99 to get started on the new Patterson four part series, and if we do like it we don’t pay more for buying the rest afterwards.
• if we are serialising old works then there is no delay for readers who do like the first to get the next. It’s just a click away.
• Patterson’s Book Shot in full is just one more title in his portfolio. Just one more discover point. By chopping into four and offering four separate parts or an option to buy the book in full Patterson adds five discover points. Five more chances of a reader coming across his works and getting hooked.
• it needn’t cost us a fortune in extra bespoke covers. Patterson uses the same cover for all four titles, just the edition number changes. And we can see, the volume number is big and bold to make sure it stands out on the thumbnail images.

Which is one lesson I’ve learned from Patterson’s Book Shots already.

For my Sherlock For Kids and Easy-English Sherlock series I use the same base cover design for maximum branding, but the thumbnails do need close inspection to see what is what. So I’ll be looking at some sort of additional cover feature to differentiate the covers in thumbnail viewing mode.

At a broader level I already have my flagship title Sugar & Spice available as a full book or in three parts, with the first free courtesy of StreetLib (the only way to get indie titles into Amazon at $0.00 without being price-matched or in Select). And I’m looking to extend that experiment to other titles.

Next year I’ll be starting on my full-length Classics For Kids titles, with a re-telling of the Sherlock full length titles, some Shakespeare titles and an easy-read version of my favourite Austen novel, Pride & Prejudice, releasing those as serialised parts.

Beyond that there are distributors who specialise in sachet-marketing for the mobile reader.

Juggernaut in India, Pigeonhole in the UK and Germany, and Tapas in the US immediately spring to mind.

I know one IIA Group member already has some titles on Tapas, and when the time is right hopefully will come along and share the experience. I almost signed up with Tapas earlier this year, but real-life got in the way. I’ll be trying again soon.

Going wide is about much more than just being in as many retailer as possible. It’s about making our products appeal to as many people as possible.

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This post first appeared in the International Indie Author Facebook Group.

Click HERE to see the original post and join the IIA Group, your guide to going global.

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*  Ebook Bargains UK Newsletter Promotion *

Okay, so the Britain-based EBUK promotional newsletter isn’t quite Bookbub, but it does get some authors some extra sales, and plenty of authors come back to advertise with us time and time again. Not surprising with listing prices ranging from just £5 to £15 GBP.

EBUK is a not-for-profit venture and all proceeds after costs go towards supporting nursery school projects here in The Gambia.

Right now there’s a special 2-for one promo for IIA readers who want to use the EBUK promo newsletter to promote their titles.

Just type the code IIA-2-for-1-Promo anywhere in the metadata fields when you book a title and the guys in the UK will credit you with a free listing of equal value.

Click HERE to go to the EBUK site.

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Make Sure Vietnam Is On Your Career-Indie Radar.

DiversifyIn2015

If you write over-sentimental mawkish romance with some sex thrown in you might want to chuck your book into Google Translate, hit the Vietnamese button, slap a cover on, and sell it in Vietnam, where apparently such works can pick up ten million readers. (LINK)

Okay, that’s probably not the best career plan ever (and do not EVER use Google Translate for your books!), but check out the afore-linked post from Publishing Perspectives for a reminder that there are key markets out there like Vietnam that are totally off the radar of most indies.

We’ve covered Vietnam a few times, albeit with little enthusiasm because gaining access it not easy. but Vietnam is on our second-to-top-priority list – one of the key emerging markets to be keeping an eye on. Vietnam has its own self-publishing portals, but only in Vietnamese (they are soooo inconsiderate!) and self-pub is doing well there. But as yet no easy way for westerners to get in on the act. Amazon blocks downloads, Apple isn’t there, Nook isn’t there, Kobo is only there through the international store in USD.

But Google Play is there and so is e-Sentral, so there is some access. While no iBooks store yet, Vietnam is one of Apple’s biggest growth areas. As and when Apple get their global iBooks stores back on track it could get very interesting.

Meanwhile, peruse the Publishing Perspectives article and get an idea of the immense interest in reading among the younger generations in Vietnam, many of whom will also be reading in English, and most of whom will soon become cash-spending adults who will still be wanting to read.

Vietnam, population 90 million, is a highly literate society and has primary school enrollment running at 90%. Vietnam is embracing digital across the field, and while ebooks make up a small part of the publishing industry right now, that is changing.

As best we can make out, Biit Books, one of the early runners, is no longer operational, but Alezaa still is going strong, and so is Sachweb.

Check out Sachweb here – https://sachweb.com/  – We love to tune in just for the music the store plays, but still can’t make head nor tail of the store itself. 🙂

Other Vietnamese players still operating today are Ybook, Komo and Sachbaovn.

Aside from Google Play and eSentral the key international player in Vietnam is Thailand’s Ookbee, which is also partnered with Indonesia’s Scoop. No easy way into Ookbee yet, but there are signs things may change this year. We’ll keep you posted.

Until then, make sure Vietnam is at least on your radar, and be sure to have your books in Google Play and e-Sentral. You can go direct to both. If you prefer an aggregator, the pay-as-you-sell aggregators Narcissus and Xin-Xii will get you in to Google Play, and the pay-up-front Ebook Partnership will get you into both.

And if by chance you know someone who can translate your works to Vietnamese don’t pass by the opportunity.

South East and East Asia are the most exciting regions for digital reading right now. China, obviously, but also Indonesia, Vietnam, Thailand, the Philippines and South Korea should be firmly on any career-indie’s radar.

Wattpad has a very strong user-base in Vietnam, for those who use Wattpad to gain international exposure.

One final thought for now. Some of you will have books set in Vietnam or about Vietnamese characters. While finding a Vietnamese translator and getting into Vietnam stores may be a challenge there are ways to push your English-language titles.

Checkout the arts and entertainment page on  VietnamNet – (LINK)

Most countries have similar sites aimed at being a window on the nation for English-speakers and also aimed at ex-pats. These sites can be great ways to do some targeted promo, for your E-L titles with that regional interest. Often these sites struggle for content, so a savvy indie handing them some free content on a plate… By content we mean a short and thoughtful piece about your book, with discreet links, not a BUY ME! screamer.

And do offer your book free for them to review. That could pay off big time with a site recommendation that might be picked up by other media in that country.

A full post on E-L niche promotion soon. Here just to state the obvious. If you get in touch with the editorial teams on these sites you are likely to find a warm reception IF your books a) have regional interest and b) are available in both digital and print.

Note that last word. In a country like Vietnam where ebook take-up is less than 2%, print is where the action is. Make sure you include your print book’s ISBN, because with that a buyer can easily find where your print book can be bought.

And bear this in mind: Sending out Kindle or iBooks or Nook links to a country like Vietnam when these stores are not available in Vietnam is not going to find you new readers. Nor will it impress the editorial team who might otherwise love to run your promo piece.

Again, this is where ISBNs come into their own. The “I” in ISBN stands for international, and it means just that. Give out your ISBN and the reader can search for that and find a print or digital vendor they can use. Give out a link to a particular store, or only a digital link,  and if that store isn’t accessible or the reader does not like ebooks said reader will assume your book is not accessible to them.

Visitors to country-window sites like these are likely to be English-literate and with the means to pay using mainstream stores like Google Play, Kobo, etc, or to pay for international shipping to have the POD book delivered.

As ever, there are so many opportunities out there for those indies willing to step outside their comfort zones.

Have you stepped outside your comfort zone lately?

Ebook Bargains UK

Far more than just an ebook promo newsletter.

Far more than just the UK

http://publishingperspectives.com/2015/05/sexed-up-chinese-pulp-fiction-invading-vietnam/

The View From The Beach – Mark Williams At Large

Gunjur-Coastline-Gambia

We tend to focus on in-depth posts and analysis on the global publishing scene for the EBUK blog, and as the entire EBUK project is a not-for-profit operation run by volunteers it often means smaller, but no less important, items of interest get passed by.

So we asked frequent EBUK blog contributor Mark Williams to run a regular column here sharing with us pertinent shorter news stories, as ever throwing in his unique perspective as an international bestselling author and surveyor of the international publishing markets from the far shores of West Africa.

And yes, that is his local beach. As he likes to remind us, he lives the writers’ dream, hammering away at a keyboard on picture-postcard white sandy beaches lined with picture-postcard green gently swaying palm trees next to a picture-postcard warm blue ocean beneath picture-postcard blue skies.  Hey, nobody said life was fair!

The View From The Beach – Mark Williams At Large.

May Is Short Story Month. Are You Ready?

It’s actually the third Short Story Month – it started in 2013 – and momentum is gathering as more and more people look for “bite-size” reading. (LINK)

Millennials have been particularly identified with the demand for this type of material, in part reflecting the rise of smartphone reading and lifestyles where working hours are far more flexible than in days of yore.

Vintage/Anchor Books are releasing a short story every day during May to mark Short Story Month, all priced at 0.99, and I think they are on to a winner.

I also think, because I’m going down this route myself, that short non-fiction, and especially short narrative non-fiction is also the new black.

Amazon’s Kindle Singles and B&N’s Nook Snaps have already proven the demand for short digital material, and Vintage/Anchor see a lot of potential to engage readers with shorter offerings.

We were all surprised to find Millennials, the generation most comfortable with smartphones, preferred reading paperbacks to reading ebooks, but my feeling is its all to do with length. Reading a 100,000 word novel on a smartphone (as opposed to an e-ink ereader) is probably not the most pleasant of reading experiences, but for consuming a shorter work in a short space of time a smartphone may well be the ideal vehicle.

As indies we have in some way painted ourselves into a corner with our 0.99 full length novels flooding a handful of key markets, but we need to step back and view the markets from the perspective of readers, not writers. Something we collectively seem not very good at, as the huge number of exclusive-with-one-retailer indie titles shows. What better way of telling readers that what we care about is us, not them…

As the global New Renaissance gets into second gear we should all divest ourselves of any straight-jacket notions about what will sell and where, and what will be commercially viable, and likewise we should all divest ourselves of any straight-jacket notions about marketing and promotion.

Kobo Parent Company Rakuten Enters The Magazine Publishing Market. Expect Amazon To Follow Suit Soon.

I’m surprised Amazon hasn’t gone down this route yet, but with Rakuten leading the way it’s now pretty much inevitable they will do so.

Rakuten’s first venture is a fashion magazine in Japan, and rather cleverly all the fashions featured are also for sale on Rakuten’s Ichiba retail site. (LINK)

Purely speculative but I would imagine India would be the ideal place for Amazon to follow suit. Amazon’s fashion arm has been making big strides in India, and an e-magazine devoted to exposure for fashion items available on the Amazon IN store would boost Amazon’s challenge to the 600lb gorilla in the Indian e-commerce marketplace, Flipkart, which happens to own India’s 600lb gorilla e-fashion site Myntra.

If I were a betting man I’d put money on both Flipkart and Amazon launching e-magazines this year. And if I were adviser to Jeff Bezos I’d be asking why Amazon doesn’t have both an e-zine and a print zine of its own in the USA.

Career Authors Alert: Selling Rights Vs Selling Ebooks.

Here’s a White Paper that’s free to download from Publishing Perspectives. Its theme: Global Rights and Licencing.

This is only 20 pages, but well worth the time if you are serious about being an international bestselling author.

Don’t be misled by the title. A lot of indies think in terms of selling ebooks. Even thinking about selling print books is a stretch. So selling “rights” might not be something you think indies need to be bothered with.

If so, think again.

Selling “Rights” should be at the heart of your career strategy so you can let someone else worry about the donkey work of selling your work beyond your comfort zone, while you actually spend your time writing the next book.

But it’s not just about selling the book. It’s about selling the translation rights, the film rights, the TV rights, the boardwalk rights, the game rights, the…

So long as we indies are locked into the microverse of ebooks we are never going to be able to compete with the big boys.

The White Paper is mainly about global book (print and digital) rights, but also includes a very useful section on film rights – something ALL of us should be thinking about.

It also includes a “starter” for the global markets by focusing on two countries regular readers of EBUK or my posts elsewhere will know are high on my list as places to be focused on: Brazil and Indonesia.

I know few of you are convinced about Indonesia, but ponder this little gem from the report:

Of the 32,000 titles published in Indonesia in 2014, 50% were translations of foreign languages, with English the front runner.

Other snippets from the post reiterating what I’ve been saying:

“Germany is the trans-Atlantic powerhouse.”

“Japan is the fourth largest publishing market.”

“The Spanish language markets offer global opportunities.”

“Turkey is taking off.”

“Poland and the Czech Republic are showing strong signs so life.”

The global New Renaissance is a fact. It’s happening all around you as you read this. And you can be part of it. Front seat tickets are on sale right now.

Or you can be a bystander and wave as it passes you by.

Hopefully this link to the GoogleDocs download form will work for you. (LINK)

If not, pop along to the Publishing Perspectives website. (LINK)

Asia Watch 1.

 Tencent, the Chinese e-titan, has just seen its value exceed two hundred billion dollars, leaving the likes of Amazon in its wake. (LINK)

Yet another clear sign, as I’ve been warning this past few years, that the centre of digital gravity is shifting east, and we should all be focused on getting a foothold on these oriental players now, before the rest of the west wakes up and starts a stampede to climb on board.

Tencent, Alibaba, Xiaomi, JD and a host of unpronounceables I’ve been tagging these past years are now coming of age and with that come opportunities unparalleled in the west as the global New Renaissance shifts into second gear.

The upstart start-up Xiaomi has just upped its ebook game with a deal with Trajectory, Macmillan and Gardners to get western English-language ebooks into the Xiaomi store. See more on this below.

A week or so ago Tencent became for all practical purposes the biggest ebook store on the planet (except by revenue, because ebooks in China are so much cheaper) as it reinvented itself (more on this in an in-depth look at China shortly).

JD has long been one of the biggest ebook stores in China, and last year signed a deal with one of the Big 5 western players to get English-language ebooks into China, where demand for E-L literature is high.

In doing so they followed the lead of OverDrive, now ironically owned by another eastern giant, Rakuten.

Alibaba doesn’t sell ebooks yet but you can sell your print via Alibaba through its US store 11Main. Expect Alibaba ebooks soon.

As the only western indie author to have a title hit the number one spot on Amazon’s Kindle China store I’m probably better qualified than most to say savvy indies should all be making sure China is not just on their radar but on your URGENT ACTION NEEDED list.

And make sure India and Indonesia are there too, because these are among the next eastern hot-spots for indie authors willing to step outside their comfort zone.

UK and Australia Digital Libraries Now Supplied By 3M.

 The 3M Cloud ebook service is now available in the UK and Australia, having shifted north to Canada last year. (LINK)

We’ve covered 3M on the EBUK blog before and will run an update on the global library markets soon.

Here just to remind you that, erotica authors aside, you can get your ebooks into the OverDrive catalogue via Smashwords.

The pay-up-front aggregator Ebook Partnership will get you into the OverDrive global libraries (over forty countries) and also into the OverDrive retail outlets which Smashwords does not deliver to.

Or you may prefer to pop along and try Ebooks Are Forever, a new initiative by Joe Konrath to get indie titles into US libraries. (LINK)

Magzter Now Open To Indie Authors.

 The global digital magazine retailer Magzter also sells ebooks, and following a reference in a post here on EBUK recently they kindly reminded me that indie authors can now upload direct to Magzter.

Go to Magzter (LINK) and set up a publisher account and then upload your titles. They need to update the site as it seems to suggest you can only publish magazines still, but if you go through to the next stage you’ll find a portal specifically for ebooks.

I get my books into Magzter through a third party so can’t say what the experience is like, but I can say Magzter is a fast-growing global player (over 200 countries).

As most magazines are non-fiction I’m expecting non-fiction ebooks to do particularly well on Magzter, and all the more so if the subject matter ties in with the theme of the more popular magazines.

At the moment the Magzter ebook store is sparely populated and this is a great opportunity to be a big fish in a small pond if you play your cards right. My guess is many people will discover e-zines before they discover ebooks, and most of those will discover ebooks on the same site they buy their e-magazines from.

Watch out for a detailed post on Magzter soon.

 Asia Watch 2.

Xiaomi Steps Up Its E-Book Game! Are You Ready?

  Xiaomi, the upstart start-up from China, has in just five years has gone from nowhere to be one of the biggest smartphone players on the planet.

This month it has been announced Xiaomi has a deal to take western ebooks into its China store, with strong indications the ebook stores will be extended to other countries in the near future.

Nate at Ink, Bits & Pixels has the scoop. (LINK)

Trajectory recently fixed a deal with Tencent to get English-language titles into the Chinese market, and what is gobsmackingly wonderful about this new deal is that it also involves Britain’s wholesale distributor Gardners, which means there is a back door in for indies.

Needless to say l’m already in Gardners, so looking forward to seeing my English-language titles in Xiaomi alongside my Chinese translated titles which have been doing rather well in the China markets.

Yes, before you ask, there is serious demand for western E-L titles in China. Last year OverDrive did a big deal to get western content into China and in September we reported here on the EBUK blog on HarperCollins signing a deal to get its E-L catalogue into China. (LINK)

Now Macmillan has followed suit.

We’ve said on previous occasions that Xiaomi isn’t yet taking on western titles but that it will, and when it does, to jump in with both feet.

It’s happening.

And it won’t stop at just China.

Earlier this month Xiaomi sold 2.12 million smartphones in twelve hours when it did a special sales event across its outlet countries, which include key nations like Thailand and Indonesia, India, Brazil and Turkey.

If you’re serious about becoming an international bestselling author then you need to be serious about players like Xiaomi. Because Xiaomi is serious about ebooks.

Subscription Services Get Bigger & Better. Mostly.

Digital music has been around a lot longer than ebooks, in a meaningful commercial sense, but only in 2014 did digital revenue finally exceed “physical” revenue for music.

And much of that was driven by subscription. (LINK)

Meantime Netflix had a stunning Q1 picking up 5 million new subscribers (LINK) while continuing to make profit.

The naysayers love to say ebook subscription services are unsustainable, and then point to music as an example of why, but music is doing just fine and film and video subscription – far closer to ebook subscriptions than music – goes  from strength to strength.

A given ebook subscription service may come or go, but as a commercial entity the subscription model is working just fine for all digital products. For content providers? Spotify not so much for musicians, and Kindle Unlimited not so much for authors. But early days.

New subscription services are emerging by the day. The Danish subscription service Mofibo will be launching in the UK this year.

And be sure to watch out for the new kid on the block, Playster, due to go live this summer. Playster plans to offer an across the board digital subscription service with music, video, ebooks, audio, etc, all for a fixed fee.

Simon & Schuster have just signed up for Playster. (LINK)

And in separate news Penguin Random House, while still eschewing subscription for ebooks, has put its audio books into Scribd.

Back in February HarperCollins put its titles into the Russia-based subscription service Bookmate. Expect Macmillan and Simon & Schuster to follow suit soon.

Although CIS based, Bookmate is far bigger than just Russia, and is focused on targeting places Amazon blocks downloads to. But with an Amazon Russia Kindle store rumoured to be around the corner the competition between Bookmate and Amazon might be about to be heat up.

I’ve been in Bookmate a while, and can’t say as I’ve seen much action, but I have great hopes for Bookmate in the future. Bookmate is fielding a quarter million English-language titles, only a handful of which are indie. Plenty of opportunity for savvy indies to get traction in the nascent markets Bookmate serves.

Be part of the subscription ebook scene or miss out, because the readers are heading that way in their droves.

 Book Tango / Book Country – What Worries Me Is Books On Board.

 The rebranded Book Tango (LINK) has long been on my watch list, but what worries me still is the links and references to Books On Board, which went under two years ago this month. (LINK) Surely two years is time enough to get the website updated?

One good reason for looking at Book Tango was that it distributed to Google, which the main pay-as-you-sell American aggregators like Smashwords and Draft2Digital do not. But with both Xin-Xii and Narcissus able to get your ebooks into Google Play I still can see no reason to risk playing with Book Tango. But I’d love to hear from anyone who has and has some experiences to share.

+ + +

I’ll wrap this session up with something from trad pub at the London Book Fair. Yeah, thought you’d be impressed. But love it or hate it, trad pub is here to stay and doing rather well. And we can learn a thing or two from it.

At the London Book Fair Faber & Faber CEO Stephen Page talks about how a “new ecology” has emerged in the publishing industry.

Quote: “The previous ecology got hammered and challenged. A new one has emerged that is partly around the resilience and return of physical books, partly around the new confidence there is.  There is a new confidence about the options open to publishers, about the creation of value, about investing in content with confidence. There is a shift towards the consumer, which is still continuing and isn’t finished yet, and just a new confidence about the tools and opportunities open to us.” (LINK)

For those indie fundamentalists who live and breathe the “self-pub good, trad pub bad” mantra it’s bad news. Far from rearranging deckchairs on the Titanic (try finding an indie blog between 2010-2013 that didn’t say that), trad pub has sealed the hole, pumped out the water and fired up the engines again.

For authors who prefer to live outside the tribal lines it’s another sign of a wonderful future ahead for all of us who are willing to embrace the New Renaissance rather than chase archaic print dreams in digital formats.

The opportunities are just beginning to emerge, and many indies will miss most of them because many of us are still thinking books and readers. That is soooo 2009.

Look at the words Stephen Page uses. “Content” and “consumers”, “tools and opportunities”.

Yes, we can dismiss these as meaningless biz-speak, but alternatively we might want to consider that trad pub, having adamantly refused to keel over and die as the indie movement gleefully hoped back in 2009-12, might just be on to something.

For industry-watchers there is not just a new confidence but a new vibrancy in the publishing industry as 2015 gets under way. So very different from the uncertainty and near-despair that epitomised 2010-12.

Indies would do well to watch trad pub very closely, because trad pub is very clearly thinking about the next five years, not the next five weeks.

Individual publishers and bookstores may come and go, but as an industry trad pub and trad pub retail will be stronger than ever in 2020 as it embraces the tools and opportunities of the global New Renaissance.

Where will you be at in 2020? Riding high with them? Or still trying the same tactics that worked so well in 2010 and wondering what’s gone wrong?

Ebook Bargains UK

Far more than just an ebook promo newsletter.

Far more than just the UK.

Kindle Unlimited Daily Discovery Promo Newsletter Launches Today!

DiversifyIn2015

We’re often accused of being anti-Amazon. And we’ve been particularly scathing of certain elements of Amazon’s ebook subscription service Kindle Unlimited.

So it may come as a surprise to some that we have today launched a promo newsletter exclusively dedicated to promoting titles in Kindle Unlimited.

But here’s the thing. The Ebook Bargains UK project is dedicated to helping authors reach readers, across as many retail platforms as possible and as widely as possible.

We are also dedicated to helping authors make informed choices about their distribution objectives and how they can best build a loyal global following while developing a career as a writer. That means calling foul when we see clear downsides to retailer operations. Our views on the royalty cut for authors that is Kindle Unlimited need no rehearsing here.

But our role is not to boycott retailers or retail services. As above, it’s to help authors reach readers.

And for those authors who have made the (hopefully informed) choice to stick with Kindle Unlimited – maybe to take advantage of the currently excellent payout KU offers 0.99 titles – the Kindle Unlimited Daily Discovery newsletter is one more weapon in their armoury.

Obviously there’s only a handful of subscribers at the moment – this is the first day – but that should improve rapidly as word spreads. A free newsletter for readers highlighting Kindle Unlimited titles in both the US and the UK. You can see today’s Kindle Unlimited Daily Discovery newsletter here. (LINK)

For authors, the deal is simple. Any title booked to appear in the main daily prom newsletters and that is in Kindle Unlimited will automatically appear in the Kindle Unlimited Daily Discovery newsletter as well.

In addition we’ll be adding extra titles from advertisers who want to specifically promote their KU titles just to the Kindle Unlimited daily Discovery subscribers. For the princely sum of just £2 (yes, two measly British pounds) we’ll add your KU title in the next Kindle Unlimited Daily Discovery newsletter we can fit it in. As ever, first come, first served.

It will only take a handful of KU downloads to put you in profit on that deal!

Obviously Kindle Unlimited is the best known of the easy-access ebook subscription services, so we’re starting off with KU. But we hope to launch a Scribd Discovery newsletter in the very near future.

Finally, a reminder. Unlike most promo newsletters the Ebook Bargains UK newsletters do not carry affiliate links. We are retailer-neutral.

And the proceeds from the EBUK project go towards supporting babies, children and schools in West Africa. More on that very soon.

Ebook Bargains UK

Far more than just an ebook promo newsletter.

Far more than just the UK.

Hugh Howey Warns Of Shrinking Market Share For Amazon In 2015.

DiversifyIn2015Now there’s a headline we never expected to write. But it seems Howey had a visit from the Ghost of Christmas Future over the festive season, and shared with Galley Cat his “predictions” for 2015. (LINK)

We all know Howey has plenty so say, even if lately it has gone from the sublime to the ridiculous as Howey tries to defend the indefensible. As most indies are slowly coming to terms with the fact that the Amazon honeymoon is over, Howey, blinded by the special treatment he gets from Amazon, is busy digging holes for himself.

Most recently Howey has been offending indies everywhere by asking “does Amazon treat us as second class?”, agreeing Amazon does exactly that, but asserting we deserve no better because we indies are a bunch of scammers and pirates. And no, this is no satire. (LINK)

But in a separate interview with Galley Cat Howey said something far more interesting and relevant. He predicted Amazon will lose market share to Google Play and Apple in 2015. Coming from Howey that’s quite something.

~

 While there are no official stats yet, the anecdotal evidence is building that Google Play in particular is making good headway, both in the US and in the global markets. With sixty or so ebook stores, as opposed to Amazon’s baker’s dozen, Google Play unquestionably has better global reach than Amazon. And with Amazon’s international ebook expansion effectively at a standstill (one new Kindle store this year – the Netherlands, and the hint of another – Russia) Google Play’s global position is obviously going to get stronger and stronger.

But what about in Amazon’s stronghold at home in the US? Is Amazon conceding ground here too?

The US ebook promo newsletter Bookbub is a good barometer of the US ebook market. With four million subscribers it both reflects and helps shapes the ebook market’s direction.

You only have to look at Bookbub to see how, whereas six months ago almost no indie listings carried Google Play buttons, nowadays as much a 75% of the daily twenty Bookbub titles include Google Play.

As an affiliate promo newsletter Bookbub selects listings based on likely sales for those titles, which is why we see the same handful of top selling authors manage to get listings month after month after month while lesser mortals get rejected at a rate of 68 a day.

But what we’ve seen this past several months is a major shift towards multiple-retailer listings, with a very noticeable increase in Google Play buttons.

Obviously it helps that more and more indies are signing up to Google Play in the first place, which in turn is driven by word of mouth reports of good results from those who took the plunge early.

And Apple, we should remember, has this year upgraded visibility of the iBooks store by making it default on iOS8 devices, meaning Apple ebooks are in front of a lot more people, not just in the US but around the world.

But what we also appear to be seeing is KU spectacularly backfiring in one of its primary objectives – to get as many indies exclusive with Amazon as possible to damage the competition.

As the KU payout continues to drop (expect a brief rise in January as Amazon try to stem the haemorrhage of talent, then back to the relentless drive to get the payout below a dollar) so more and more indies, while still available on Amazon, are jumping ship with Select as soon as their ninety days are up and getting back on board – or in many cases on board for the first time – with the other retailers.

How much this is being reflected by the increased multiple-retailer listings on Bookbub and how much Bookbub is helping drive this phenomenon is open to debate, but safe to assume it’s a mixture of both.

As an affiliate site Bookbub stands to earn off each sale, on top of the listing fees. Nothing wrong with that. Just good business.

But there’s the thing: Most Amazon-only listings will be Select titles and therefore in KU.

We ourselves are not an affiliate operator so are unfamiliar with the details of the arrangement, but logical to assume that KU borrows are either giving a very small return for affiliates, or more likely none at all, on the grounds Amazon asserts the downloads are “free”.

Assuming that is so, it is not in the interest of any affiliate site to excessively promote Amazon-exclusive titles. Yes, they still carry some, because it’s still a great deal for subscribing readers. But self-evidently not as many as they used to.

By increasing the listings with multiple retailers Bookbub acts in its own business interests and in the interests of its subscribers, but in doing so Bookbub is driving more traffic from its four million subscribers to those other retailers.

Which makes Howey’s prediction that Amazon will lose market share to Apple and Google Play a realistic one.

Howey of course has the original date (as opposed to what the public gets to see) from the Author Earnings reports, and also invites indie authors to submit feedback about how they are doing.

Feedback we are getting from indies is very clear. Those who have taken the time to diversify are reaping big rewards. All the more so as Amazon twists the KU knife. Some authors are reporting Amazon reduced to bringing in less than 25% of their income as a) Amazon drives readers to KU making the main Amazon site a backwater, and b) the efforts promoting the other retailers pays off.

No reason to think the feedback Howey is getting will be very different. And a safe bet that data is behind Howey’s “predictions”.

We use that term loosely. Howey’s other big predictions are straight out of Mystic Meg’s Crystal Ball & Tarot Readings tent at the local fair.

The fate of B&N will shake out next year. Really? What with Nook all set to be sold off and all? That’s not a prediction, Hugh. That’s a statement of the obvious. A prediction is telling us HOW it will shake out.

Howey also says “I predict eBook penetration will continue to grow.”

How does he do it? Where do these insights come from that are denied us lesser mortals? And there we all were thinking the ebook fad was over and everyone was going to buy print books instead.

But let’s get back to the one prediction we can concur with.

As a rule when we find ourselves agreeing with the Amazon cheerleaders it’s time for a cold shower and some strong coffee. But two ice buckets and three triple espressos later it still reads like Howey said Amazon will lose market share to Apple and Google Play in 2015.

Well, it is Christmas, and Ebeneezer Howey does indeed appear to have had a visit from the Ghost of Christmas Future.

Take heed. It’s not just us saying this.

Diversify In 2015!

Ebook Bargains UK

Far more than just an ebook promo newsletter.

Far more than just the UK.

Bookmate Subscription Service Launches In Singapore

Go Global In 2014The Russian ebook subscription service Bookmate (LINK) has just launched in Singapore (LINK), as the first stage of its Asia-Pacific expansion.

As Amazon blocks downloads to Singapore there’s little chance of KU ever being available there, and Apple hasn’t got an iBooks store in the region either, but now Bookmate joins Scribd as a subscription service for readers in Singapore. And for those who prefer sales there’s always Google Play, Kobo and e-Sentral, as well as regional players like Ookbee.

Bookmate are partnered with Singapore digital operator Starhub, who already have their own domestic ebook store, Booktique. Or maybe that should be had, as we can’t seem to find it right now.

As we reported way back in October 2013 (LINK) one of the biggest problems for Singapore ebook stores has been publishers pricing at US levels in a country where living costs are price expectations are much lower.

Hopefully the subscription option, making accessible almost half a million titles, will help boost interest in ebooks in this small but significant English-speaking country.

As yet none of the free-to-upload distributors have partnered with Bookmate, so off-limits to most indies, although you can get in through Ebook Partnership

But Bookmate has extensive global reach, and is definitely one to watch.

The subscription model for ebooks is fine when used properly. Scribd and Bookmate are both excellent ways of reaching global readers in places where regular sales access is limited or unavailable.

Don’t let the disappointment that is KU colour your judgement about the subscription model in general and the potential it has for global reach. KU isn’t working for authors because Amazon is using it to cannibalize full-royalty sales. Other subscription models are not doing that.

When two roads diverge in the woods, take the one less travelled by. It will make all the difference.

Ebook Bargains UK

Far more than just an ebook promo newsletter.

Far more than just the UK.